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Saturday, February 11, 2012

Michigan Mysteries-Bridgebuilder X

Kathy Firestone was a young girl when her father, Sterling Nickerson Jr., disappeared in Lake Michigan along with his boat, the BRIDGEBUILDER X. The following is an excerpt from Kathy Firestone’s book “The Fox Islands, North and South”:

“When the Mackinac Bridge was completed, Sterling Nickerson, Jr., went to St. Ignace to inspect one of the tugs that had been used for bridge construction. In 1958 the steel-hulled, 65-foot Bridgebuilder X was bought by the Nickerson Company. It was reconstructed at Burke’s coal dock in Suttons Bay and at the Sears dock in Greilickville and put into operation, making it possible to haul a day’s sawmill output in one load.

About once a week Sterling, Jr., hauled a gross of 53 tons of hardwood to the J.W. Wells Company and the M and M Box Company in Wisconsin.



The lumber business was going well for the Nickersons, but on December 15, 1959, a shadow fell on their good fortune. About ten in the morning, Sterling Nickerson, Jr., and a relative, Glen Roop, left Sturgeon Bay, Wisconsin, aboard the Bridgebuilder X.; and when they didn’t show up at South Fox Island, a search was begun by the Coast Guard and pilots in private planes. Though the search was continued for several days and was joined by people walking the mainland shores, no trace of the boat was ever found. A day after the disappearance, an oil slick was sighted about 15 miles southwest of South Fox Island but was quickly dispersed by the waves, preventing further investigation. Roop’s body washed ashore in Wisconsin the following summer.

There had been 11-foot waves several hours after the Bridgebuilder had pulled out into the Big Lake, but Nickerson had battled worse than that before. Earlier in the season, during heavy fog, the Bridgebuilder had scraped bottom. She was repaired at the Roen Shipyard in Sturgeon Bay and was sailing back into operation from there the day the vessel repairmen had questioned Nickerson about whether the boat had enough ballast. He replied that he had plenty of heavy chain back in Northport and could place that inside the explanation for the boat’s disappearance seemed to be that the ballast was needed sooner, when the sudden, heavy seas hit.

In “A Child of the Sea”, Elizabeth Whitney Williams tells of the loss of her husband and others, expressing the grief which she felt – a grief with which the Nickersons and others who had lost loved ones on the seas could identify. “the bodies were never recovered, and only those who have passed through the same know what a sorrow it is to lose your loved one by drowning and not be able to recover the remains. It is a sorrow that never ends through life.” The loss of Nickerson and Roop on the Bridgebuilder X left two widows and nine fatherless children.

Ironically, while the search was going on got the missing Bridgebuilder, government documents where in the mail on their way to the lumber company, certifying that the name of the vessel was officially changed from Bridgebuilder X to Nickerson.”

Kathy Firestone is passionate about finding her father, Sterling Nickerson Jr., and bringing him home for burial with his family. Please keep her, and the Nickerson family, in your thoughts and prayers concerning this. While the odds of locating a missing vessel as small as the Bridgebuilder X in Lake Michigan are very slim, improving technology will eventually make finding the boat and her captain more likely.

Thanks to Ross Richardson and Michigan Mysteries

Kathy Dowsett


www.kirkscubagear.com

Wednesday, February 8, 2012

Mystery photo reveals story of sponge-diving movie star

Portrait of sponge diver John M. GonatosPortrait of sponge diver John M. Gonatos (Photo credit: State Library and Archives of Florida)

The debonair diver strikes a Hollywood pose in his patched canvas wetsuit, hands resting on either knee, head cocked, with a cigarette dangling from his lips.

For 52 years he was known simply as "the Sponge Diver" in a black-and-white photograph published in National Geographic magazine.

Then in April, Evelyn Gonatos Lange saw the portrait published in the Tribune alongside a story about the state archives putting its old Florida photographs online.

"Nice picture," Gonatos commented at the Flickr Web site. "It's my Dad!!! JOHN M. GONATOS."

Cousins in Tarpon Springs called her sister in Tallahassee: "That's your dad, that's your dad!"

Even former neighbors recognized the charismatic jack-of-all-trades. Within the week, the Florida State Library and Archives would set the record straight. The diver officially has a name now. And he has a story.

"He's the one that really put Tarpon Springs on the map," said daughter Denise Gonatos Smith.

John Michael Gonatos was a tireless supporter of the local Greek community, but he dreamed of becoming a movie star. With an Errol Flynn likeness, he easily snagged bit parts in five feature films and forged a lifelong friendship with director Elia Kazan that all but guaranteed more work.

But when Hollywood beckoned once more, Gonatos chose family over fame. A devoted husband and father of three, he already had the role of a lifetime.

'The Golden Greek'

"Family always came first," recalled Denise Gonatos Smith, a 66-year-old teacher and artist living in Tallahassee.

Her father's love affair with film began in 1939 when he used a 16-millimeter Bolex to shoot the documentary "Story of the Sponge."

The 20-minute color movie shows the harvest of sponges from the Gulf of Mexico and features Gonatos, then 26, and his father, a portly Greek immigrant and captain of the boat Evdokia.

Gonatos even filmed divers underwater searching the murky sponge banks.

"He was a pioneer in the movie industry," said Gonatos' son, Michael, referring to the underwater scenes.

Ever-resourceful, John Gonatos took his camera to an uncle who made a metal cover for it. When he needed an aerial scene, he climbed the Tarpon Springs water tower. Once the film was complete, he wrote a script and sent it to a professional narrator in New York.

The movie became a regular feature for tourists, who paid 50 cents to watch it at the family's Olympic Shop on Dodecanese Boulevard.

Gonatos was just as much an attraction. In his youth, he had been a standout high school athlete and nationally recognized boxer known as "The Golden Greek" because of his fair skin, blue eyes and light auburn hair.

"He was extremely handsome," said 62-year-old niece Maria Fellios of Clearwater Beach. "The girls used to swoon over him."

Even after he married Virginia, the love of his life, and the woman who could keep him grounded as he pursued his passions.

His movie-star looks and dramatic flair when speaking or telling stories attracted directors, who saw in the young town celebrity an opportunity. Gonatos was a thrill-seeker who commanded an audience.

At 32, he took a part in the 1948 film "16 Fathoms Deep," the first major Hollywood movie made in Tarpon Springs. It starred Lon Chaney, Lloyd Bridges and Eric Feldary. Gonatos played himself.

The movie chronicled the escapades of Tarpon Springs sponge divers. Not a huge stretch for Gonatos, but it would become his biggest role and whet his appetite for more.

It also allowed the budding actor to befriend Bridges, who reportedly took diving lessons from Gonatos in preparation for the television series "Sea Hunt," filmed in Silver Springs and other Florida locales.

A taste of the high life

"16 Fathoms Deep" garnered lukewarm reviews; The New York Times applauded the exciting underwater sequences — many featuring the unknown Gonatos — but panned the producers' attempts at humor.

Still, Tarpon Springs caught the eye of director Elia Kazan, a man proud of his own Greek heritage. He visited and, there along the sponge docks, met the gallant Gonatos. The two became lifelong friends.

Kazan cast Gonatos in two films, including one of the director's best known, "A Streetcar Named Desire." The 1951 movie featured Marlon Brando in his second screen appearance and Vivien Leigh of "Gone With the Wind."

Gonatos piled his family into the old black Buick and headed west for a summer of filming. Until he got paid, money would be tight. So he filled the trunk with sponges, which the family sold at filling stations along the way to help pay for motels and food.

He spent longs days on the set; afterward, the whole family attended swanky Hollywood parties, rubbing elbows with the likes of Brando and Leigh.

"I shook hands with her," gushed Denise, who was 9.

When her dad played an extra in Kazan's "Viva Zapata!" a 1952 film starring Brando, all five Gonatoses and two grandparents made the trek. They rented a Spanish-style home at Hollywood and Vine.

"Life was adventurous," said son Michael, a 70-year-old dental technician living in Tallahassee. "Never dull."

He remembers driving through the desert on that trip when his dad spied a sign for a nearby dude ranch.

"My father always wanted to be a cowboy," recalled Michael, who was about 12 at the time. "We went to check it out. I remember my mother was worried we would get robbed."

Summer came to an end and school had begun when the Gonatoses headed home. It would be the family's last trip to Hollywood. The children were getting older and Los Angeles's influences were far different from those of their small Greek hometown. John and Virginia decided it would be best for the girls and their son to finish growing up surrounded by family and heritage.

Gonatos scored two more roles, both in movies being filmed in Florida.

He played a "conch," a Key West sponge diver, in "Beneath the 12-Mile Reef," sharing the set with Robert Wagner, Terry Moore and Gilbert Roland. And he sold fishing tackle to Elvis Presley in what would be Gonatos' last film, "Follow That Dream," in 1962.

Film lives again

Some 20 years later, he relegated the documentary that started it all to the garage with the other flotsam of those glory days and turned his passion toward local politics. A devastating fungus had nearly wiped out the sponge industry, and Gonatos joined others in the fight to preserve the historical docks and other reminders of the community's unique history.

He remained a local celebrity throughout his life, autographing calling cards that promoted the "Story of the Sponge" and sported a color illustration of his younger self in diving gear, puffing away on a cigarette. Sometimes he seemed frustrated by missed opportunity in Hollywood; other times, thankful.

"I think he really would've been somebody in film," his niece said. "But he had three wonderful children and a wonderful life."

The building erected by Gonatos' father still stands across from what remains of the docks, which are concrete now and hold far more tourists than sponges. The old gift shop is a bakery.

John Gonatos died Aug. 9, 2000, three weeks after Virginia.

Not long after, Denise Gonatos Smith came across "Story of the Sponge" melting in the garage. She had it restored and transferred to DVD, and today, people once again pay to watch it.

"My dad taught us to never give up," she said. "He always had a dream."

Researchers Stephanie Pincus and Buddy Jaudon contributed to this report.

Kathy Dowsett

www.kirkscubagar.com
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Friday, January 27, 2012

Shark Diving Tips

Shark!Image by guitarfish via Flickr

How to Scuba Dive with Sharks

Chances are that you've been scuba diving with sharks all along. The truth is you’ll be lucky if you get to see a shark underwater. They are a rare privilege to observe. In fact, did you know that you’re statistically more likely to be struck by lightning than bit by a shark?

If it turns out you’re lucky enough to have a close encounter of the sharky kind, here are a few tips to make the experience more pleasurable for both you and the shark:

Go with experts.
Dive operators in many areas offer organized shark dives and, while a guided experience can’t guarantee absolute safety, much shark behavior is predictable if you know what to look for. Go with those who know the locals if you want an introduction.

Be prepared. Whether on a guided shark dive or just looking for a chance encounter, you should learn what type of sharks might be in the area and find out how they’re likely to behave.

Dive with a group in the daytime.
Scuba divers on their own and in low visibility are more at risk in waters where sharks are likely to be.

Enter the water quietly and descend quickly.
Sharks' favorite foods tend to congregate on the surface and in midwater – think seals, sea lions and dead or injured fish. Don’t dilly-dally once you’re in the water and head to the bottom with minimal movement.

It may go without saying, but you don't want to spearfish in the company of sharks. If a shark approaches you when you’re carrying your catch, let it go and stay very still until you can swim slowly away.

Notice the behavior of your underwater neighbors. Fish often swim erratically when sharks are near.

Sharks often swim just beyond steep inclines, so look out into big water as you descend to catch a glimpse. Often the first divers into the water are the only ones who get to see a shark as it swims away from the unwelcome intrusion of a dive boat and the scuba divers it unloads.

Many shark species are timid. If you’re trying to get a glimpse, keep your hands still and by your side at all times.

Don’t look like a fishing lure. Avoid wearing shiny sparkly jewelry underwater because this can catch the attention of a variety of curious fish, sharks included.
While rubber-clad scuba divers with bubbles coming out of their heads are not the shark’s usual choice of cuisine, even accidental contact with one can cause injury. Should you sustain any sort of underwater injury, immediately end your scuba dive, exit the water as quickly as possible and seek medical attention, no matter how seemingly small the injury may be.
Stay alert and limit multitasking so you can focus entirely on your surroundings.

Plan your dive and dive your plan - paying attention to currents, depth and air consumption. Don’t dive too deep or come up too fast – in other words, use safe diving practices at all times. Then, if you’re lucky enough to see a shark, you can enjoy the moment free from worry.

Thanks to Padi

Kathy Dowsett


www.kirkscubagear.com
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Tuesday, January 24, 2012

Patriotic People Recycle!

International Recycling Symbol 32px|alt=W3C|li...Image via Wikipedia

Patriotic People Recycle!

There's no doubt about it: if you're a patriot, you should feel great about recycling.

Think about it. Recycling saves trillions of kilowatts of energy every year. It conserves our natural resources. It makes our country's air, water and soil cleaner by limiting pollution, and it stimulates our economy by creating new jobs.

Politicians and pundits from both the Left and the Right strongly agree that we should decrease our dependence on foreign oil. So recycling makes you a true patriot who's doing something to make the people and economy of our great nation cleaner, healthier, richer and stronger!

I can see some folks in my mind's eye (not you, of course!) with a slight sneer of disbelief on their faces. So allow me to share some basic statistics from the Environmental Protection Agency and other reputable sources that back up my argument.

Be a Patriot: Save Energy!


In 2003, the energy savings from recycling 54 billion aluminum cans exceeded the energy equivalent of 15 million barrels of crude oil, or the amount of gas the U.S. uses in one day.

Another way to look at it: recycling 1 can = 3 hours of TV, so in 2003 the U.S. saved enough energy by recycling cans to run 162 billion hours of TV, or about 25 hours of TV for every man, woman and child on Earth.

The Center for Ecological Technology found that the glass industry uses 50% less energy to create glass from recycled glass than from raw materials.

Americans recycled about 40 million tons of paper products in 2003, creating an energy savings of 163 trillion (yes, with a "T"!) kilowatt hours of electricity.

Recycling one pound of plastic soda bottles - or PET plastic - saves 1200 BTUs of energy (1 BTU is the amount of energy needed to raise a gallon of water by 1 degree Fahrenheit).

2005 saw the U.S. recycle 5 billion pounds of PET plastic, which equals a savings of 60 trillion BTUs of energy.

Be a Patriot: Conserve Natural Resources

Americans disposed of 83 million tons of paper products in 2003. According to the EPA, by recycling nearly half of that, we saved 705 million trees and 290 billion gallons of fresh water.

4% of U.S. annual oil consumption, or roughly 219 million barrels of oil, goes into the manufacture of plastic. Thus increasing the amount of plastic we recycle can make a significant impact on oil use.

In 1997, the U.S. recycled 13 million cars, which conserved 32.5 billion pounds of iron ore, 18.2 billion pounds of coal and 1.5 billion pounds of limestone.

Aluminum can be recycled forever. Over 2/3 of all aluminum ever created is still in use. Most of the 1/3 not still in use is aluminum cans in landfills.

Be a Patriot: Limit Pollution

Recycling just half of your annual recyclable household waste saves 2400 pounds of CO2 being released into the atmosphere. Many scientists contend that human-released CO2 is a leading cause of global warming.

Recycling household and car batteries keeps heavy metals such as mercury, lithium and cadmium from being released into our air and water. Heavy metals, when consumed by people and other animals, cause numerous health problems and diseases.

The EPA estimates that 200 million gallons of used motor oil are improperly disposed of each year. Recycling used motor oil keeps it from polluting your ground and fresh water.

Americans dispose of 270 million waste tires each year. Illegally-dumped and stock-piled tires are fertile breeding grounds for rodents and mosquitoes, and illegally-burned tires release oil and soot into the air and ground water.

Be a Patriot: Stimulate the Economy

Recycling creates a net gain in jobs - 5 to 1 over landfill management. Jobs created by recycling cover a wide variety of skill sets, including basic labor, manufacturing, entrepreneurship, advanced science and engineering.

Recycling creates new "green" technologies designed to take advantage of the reclaimed resources.

The National Recycling Coalition reports that recycling has created 1.1 million jobs, $236 billion in gross annual sales, and $37 billion in annual payroll.

So there you have it. Patriotic people recycle! I challenge you to come up with another activity that every family in the country can so easily do to make such a huge difference in so many critical areas of the health of our great nation.

Is your Cloth Bag REALLY Eco-friendly?

Be careful that your cloth bags actually are eco-friendly!

Cotton bags (unless they are organic) can have a larger carbon footprint than "disposable" plastic because of the manufacturing & agriculture they require. Even hemp bags, because they are made from cultivated hemp & usually in factories, have significant carbon footprints. The Nature Bag Khmu/Lao Poverty Reduction Project, sharing Earth's Greenest Bag globally, is truly eco-friendly because of its hand-harvested naturally-growing fiber, in-home crafting, long life cycle & minimal weight allowing delivery anywhere with almost no consumption of fossil-sourced energy. It's socially sustainable, too, being a tool for thousands of years for the ancient culture that makes it today to provide income without wasteful commuting & allowing traditional child nurturing.

Thanks to Vivian Ramirez

Kathy Dowsett

www.kirkscubagear.com
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Monday, January 16, 2012

Better Underwater Photos From Your Compact Digital Camera

English: Table coral of genus Acropora (Acropo...Image via Wikipedia

Digital cameras are everywhere these days, especially those compact varieties that fit in your pocket or purse. You can take it everywhere - and with an underwater housing, now you can take it underwater too! However, you may have come home from a recent dive trip disappointed in the overwhelming blue hue saturating your photos. The goal here is to provide a few tips and techniques - in plain English - to help you get some satisfying shots.

1. You've got to use the right tool for the job. That compact digital might take awesome high-resolution photos on land, but the underwater environment throws in a few additional challenges that we need to deal with in order to get a good shot. Compact cameras are usually more suited to macro shots and fish close-ups. To capture that wide-angle reef scene in any color other than blue, you need a wide angle lens and probably an external strobe. Going after shots suited to the equipment you are using will yield more successful results making you a happier diver.

2. Slow down. It is extremely difficult to find a subject, avoid scaring it away, compose your shot, and take the picture when you are swimming a million miles an hour around the reef. Especially when shooting macro, focus on one or two coral heads and find those cleaner shrimp, arrow crabs, and nudibranchs. Close-ups of fish eyes or faces make for interesting abstract shots too. Take several pictures of the same subject and pay attention to composition.

3. Built-in flashes are evil. Do you have a bunch of backscatter in your shots ruining that otherwise perfect picture? The culprit is that built-in flash. On compact digital cameras the flash is located so close to the lens that it illuminates any particles that are in the water, and then your camera records all that backscatter at 10+ megapixels! How do you avoid this? There are a couple of options. You can either stay shallow and shoot with ambient light (no flash) and a color correcting filter, or you can get an external strobe and angle it at about 45 degrees above and to the side of your subject so those particles in the water are illuminated from the side, not the front. You may need to do a little creative engineering to sync your strobe to your camera. You will also need to cover or deflect the built-in flash so it does not affect your shot. If your housing does not come with an attachment to cover or deflect the built-in flash, duct tape also works great for this purpose.

4. Get close. You think you're close to your subject? You probably need to be closer. Three feet or less is ideal. Why? You need to be close because water absorbs light. You already know this from your regular diving - as you descend through the water column, the water absorbs the reds and oranges from the ambient light, and you are left with cooler colors, such as blue. Well, the same principle applies horizontally through the water. The light from your strobe has to travel to the subject, illuminate it, and then travel back to your camera lens. If you are more than a few feet away from your subject, the light is simply absorbed, and that strobe is just as good as dragging dead weight around. Also keep in mind the effect of refraction. Water makes an object appear 33% larger and 25% closer (4:3 ratio), so what appears to be three feet away is actually four feet away. Unfortunately strobes don't care about refraction, so you have to get a little closer than you think in order to properly illuminate your subject.

5. Think about composition. Fish tails do not make for interesting photos, even if it is the tail of the rarest fish on Earth. Shoot at upward angles, rather than looking down on your subject...and stop chasing those fish! Follow the Rule of Thirds for visually pleasing photographs.

6. Stay off the bottom! Buoyancy is key in diving, especially when taking underwater photos. By maintaining neutral buoyancy, you will avoid stirring up sand or silt in the water column, thereby keeping the water as clear as possible and helping to minimize backscatter issues. You also won't be labeled as "one of those" photographers who plants themselves on the reef, damaging coral and disturbing reef creatures, while trying to get the perfect shot. No photograph is worth damaging our beautiful and fragile reefs and wrecks.

I hope these tips help. These are just some of the practices I have followed over ten years of underwater photography. I've used both compact digital cameras and digital SLRs, and have gotten very nice results with both. Remember, the only way to get good at underwater photography is to take underwater photographs. And take lots of them! Practice taking photos on land. Get to know the features, functions, (and limitations) of your camera, and you will find that underwater photography can be extremely rewarding!



Article Source: http://EzineArticles.com/6753325
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Kathy Dowsett


www.kirkscubagar.com

Tuesday, January 3, 2012

Scuba divers invited to explore historic artificial reef in Florida Keys

Advanced scuba divers are invited to celebrate the 100th anniversary of the Florida Keys Over-Sea Railroad’s completion this month. An artificial reef created from part of the original railroad bridge sunk off Marathon is accessible to divers experienced in deep dives.

Henry Flagler’s Over-Sea Railroad, recognized as the most unique railway in the world, connected the Florida Keys with mainland Florida and each other for the first time in 1912. Portions of its structure, which subsequently served as a foundation for a portion of the original Florida Keys Overseas Highway, lie submerged in 115 feet of water approximately 3.7 miles off Sombrero Lighthouse.

A favorite among experienced divers as one of Marathon’s challenging drift dives, the Marathon Reef site was created in July 1982, shortly after a then-new Seven Mile Bridge opened to carry traffic. At that time, 4,500 tons of concrete and steel debris taken from the center swing span of the Old Seven Mile Bridge, also called the Moser Channel Bridge, were sunk.

The center swing span pivoted and swung away so tall vessels could transit between the Gulf of Mexico and the Atlantic Ocean. The original Seven Mile Bridge, like the new bridge, linked Marathon with the Lower Florida Keys.



Today the massive remnants provide refuge to abundant populations of large pelagic and reef fish, eye-popping corals, colorful gorgonians, plant and invertebrate marine life among the superstructure’s lateral bracing, fenders, gears, and circular bearings that supported the bridge operator’s shed.

Divers can explore the concrete and steel rubble spread over a 1.6-acre area, rising off a flat sandy bottom as much as 30 feet in some areas.

The Marathon Reef site is one of 13 artificial reef sites between Key Largo and Key West overseen by the Florida Fish and Wildlife Conservation Commission’s Division of Marine Fisheries Management.

Thanks to the examiner

Kathy Dowsett

www.kirkscubagear.com

Thanks to Keith Mille/Florida Fish & Wildlife Conservation Commission for the photo

Friday, December 30, 2011

Underwater archaeologist digs diving

Finding missing submarines or battleships is all in a day's work for Dr. Susan Langley.

An underwater archaeologist, Langley has devoted her life to the study and conservation of underwater artifacts, which she usually finds in shipwrecks.

The former Sarnian has helped excavate historic wrecks all over the world, working with UNESCO, Parks Canada, private companies, and — currently — the United States Navy.

She's also the State Underwater Archaeologist for Maryland and an adjunct professor at Johns Hopkins University in Baltimore and St. Mary's College of Maryland, teaching courses like "the history of piracy."

Much of her time is spent teaching, writing, surveying and searching for wrecks.

"We spend a lot less time diving then you would think," she said. "When you watch Discovery Channel, you may see 10 years of work squished into that one hour."

But for Langley, hard work has never been a problem. She's contributed to exhibits at the Museum of Underwater Archaeology, holds a PhD in the subject, and is currently co-authoring a book about legal issues surrounding heritage resources.

Langley said her parents first got her interested in archaeology.

"My family was always interested in history and we would go to historic sites," she said.

But it was a diver's photo on a National Geographic cover that made her consider taking her science underwater.

"That just mesmerized me that you could find these things and bring them up," she said.

There's strategy in selecting sites to survey.

"We have a huge responsibility to the taxpayer," she said. "We want them to be able to come and watch while we do it, we want to do it during part of the academic year so students can come."

Audiences aside, Langley said preserving a site is most important.



"Archaeology is a destructive science," she said. "Once you dig a site, nobody can ever come back and re-dig it. You have to do it right the first time."

It can be frustrating when looters or treasure hunters get their hands on a site, she said.

"There's no 'finders keepers.' (They're taking) it away from everybody else who's entitled to see it.

"(Artifacts) should not belong to one person."

Langley says penetration dives, where the diver enters an underwater structure, are especially dangerous. The diver risks getting lost, fragile walls collapsing, hypothermia, embolisms, and aggressive marine life like sharks or sea snakes.

Nevertheless, she has a diving career spanning three decades.

Today, she gives lectures on expedition tours, feeding the widespread fascination with underwater artifacts.

"You're touching history," she said. "They're little time capsules. There's stuff to be learned even in the mundane."

Thanks to the Sarnia
Observer


Kathy Dowsett

www.kirkscubagear.com